Александр Дугин, хотя иногда и несколько радикален, или абсолютист, или монархист, или чрезмерно предан Библии, безусловно, является одним из лучших философов и комментаторов текущей борьбы между цивилизациями, и поэтому многие или несколько его текстов весьма ценны, такие как эти два, опубликованные 29 августа Александром Дугиным на его странице в VK.com.
«Мы постоянно отчаянно пытаемся убедить Запад, что на Украине нацизм (запрещенный в РФ) процветает. А Запад делает вид, что нет. Но Запад совершенно осознанно стимулировал украинский нацизм для ускоренной радикализации русофобии в обществе. По сути, Запад совершенно осознанно и цинично на это пошел. Он все прекрасно знает и видит, потому, что сам это и создал. Именно поэтому он никак не убеждается в очевидном. Это просто бесполезно. Запад заметит и признает это только тогда, когда решит отказаться от Украины. Когда это случиться, неизвестно. И расчитывать на это не стоит. Нам надо только победить. Любой ценой. Сейчас именно любой.
Да, в целом критика Запада в России нарастает. Однако западничество проникло в общество столь глубоко, что затронуло сами ментальные основы. На Украине мы воюем не с Украиной, но именно с западничеством. Идеологический украинец и есть русский западник. Нацизм (запрещенный в РФ) служит здесь ускорителем западничества, равно как и ЛГБТ (запрещенное в РФ). Именно поэтому российские западники столь отчаянно выступают против войны - они прекрасно понимают, что война идет против них, за пробуждение истинного духа и подлинной суверенной идентичности русского народа и всех братских народов нашей великой державы.
Украинский нацизм это квинтэссенция агрессивного западничества. Его ненависть на сей раз обращена только против русских (по сути, против самих себя). В таком украинском нацизме ненависть к другим этносам и конфессиям довольно маргинальна. Вся ярость обрушивается на русских и каноническую Украинскую Православную Церковь. Это и есть программа современного радикального русского западничества. И наша шестая колонна идеологически либералов-западников близка именно к тем, против кого мы воюем. Под видим «мира» они стремится к поражению России. А любая не-победа или даже недо-победа будет для нас поражением.
Воюя с Западом, глупо надеяться на то, что по каким-то вопросам в этой войне он встанет на нашу сторону. Не встанет. Ни по каким.
Поэтому так важно победить западничество в самой России. Оно искажает нашу картину мира. Как одержимость или психическое расстройство заставляет совершать абсурдные поступки и произносить бессвязные логически противоречивые фразы.
Надо прекратить рассматривать Запад как все еще образец, носителя чего-то универсального и общечеловеческого.
Сейчас России жизненно необходима именно вестернология - взгляд на Запад с позиции уверенной в себе самобытной суверенной цивилизации.»
Alexandre Dugin , embora seja por vezes algo radical, ou absolutista, ou monárquico, ou demasiado crente na Bíblia, é certamente um dos melhores filósofos e comentadores da luta actual entre civilizações, e portanto muitos ou vários dos seus textos são bem valiosos, tais estes dois publicados a 29/8 por Alexandre Dugin na sua página do VK.com
«Estamos constantemente e desesperadamente tentando convencer o Ocidente de que o nazismo (proibido na Federação Russa) está a prosperar na Ucrânia. E o Ocidente finge que não. Mas o Ocidente estimulou deliberadamente o nazismo ucraniano para acelerar a radicalização da russofobia na sociedade. Em essência, o Ocidente fez isso de forma completamente consciente e cínica. Ele sabe e vê tudo perfeitamente bem porque o próprio Ocidente criou. É por isso que ele não precisa ser convencido do óbvio. É simplesmente inútil. O Ocidente só notará e reconhecerá isso quando decidir abandonar a Ucrânia. Quando isso acontecerá, não sabemos. E não devemos contar com isso. Só precisamos vencer. A qualquer custo. Neste momento, não é muito.
Sim, a crítica geral ao Ocidente dentro da Rússia está a crescer. No entanto, a ocidentalização penetrou na nossa sociedade de tal forma que tocou os próprios fundamentos mentais. Na Ucrânia, não estamos a lutar contra a Ucrânia, mas contra a própria ocidentalização. Um ucraniano ideológico é um ocidentalizador russo. O nazismo (proibido na Federação Russa) serve aqui como um acelerador da ocidentalização, assim como o LGBT (também proibido na Federação Russa). É por isso que os ocidentalizadores russos se opõem desesperadamente à guerra—eles entendem plenamente que a guerra é contra eles, pela despertar do verdadeiro espírito e da genuína identidade soberana do povo russo e de todos os povos fraternos da nossa grande potência.
O nazismo ucraniano é a quintessência do ocidentalismo agressivo. O seu ódio desta vez é dirigido apenas contra os russos (essencialmente, contra eles mesmos). Nesse nazismo ucraniano, o ódio em relação a outras etnias e confissões é bastante marginal. Toda a fúria é direcionada aos russos e à Igreja Ortodoxa Ucraniana canónica. Este é o programa do radicalismo ocidental russo moderno. E a nossa sexta coluna de ocidentais ideologicamente liberais está precisamente alinhada com aqueles contra quem estamos lutando. Sob o pretexto de "paz", eles lutam pela derrota da Rússia. E qualquer não-vitória ou até mesmo meia-victória será uma derrota para nós.
Lutando contra o Ocidente, é tolice esperar que em algumas questões nesta guerra ele fique do nosso lado. Ele não vai. De maneira nenhuma.
Portanto, é tão importante derrotar a ocidentalização dentro da própria Rússia. Ela distorce a nossa visão de mundo. Como a obsessão ou o transtorno mental, leva alguém a cometer actos absurdos e a proferir frases incoerentes e logicamente contraditórias.
Devemos deixar de ver o Ocidente como ainda sendo um modelo, um portador de algo universal e humanista.
Neste momento, a Rússia precisa vitalmente exatamente de uma ocidentalologia - uma visão do Ocidente a partir da perspectiva de uma civilização confiante, autossuficiente e soberana [a santa Rússia].
Alexandre Dugin, although sometimes somewhat radical, or absolutist, or monarchist, or overly devout to the Bible, is certainly one of the best philosophers and commentators on the current struggle between civilisations, and therefore many or several of his texts are quite valuable, such as these two published on 8/29 by Alexandre Dugin on his VK.com page.
«We are constantly and desperately trying to convince the West that Nazism (banned in the Russian Federation) is thriving in Ukraine. And the West pretends that it doesn't. But the West has deliberately stimulated Ukrainian Nazism to accelerate the radicalisation of Russophobia in society. In essence, the West did this completely consciously and cynically. He knows and sees everything perfectly well because he himself created it. That's why he doesn't need to be convinced of the obvious. It's just pointless. The West will only notice and acknowledge this when it decides to abandon Ukraine. When this will happen, it is unknown. And don't count on it. We only need to win. At any cost. Right now, it's any at all.
Yes, overall criticism of the West in Russia is growing. However, Westernisation has penetrated society so deeply that it has touched the very mental foundations. In Ukraine, we are not fighting against Ukraine, but against Westernisation itself. An ideological Ukrainian is a Russian Westerniser. Nazism (banned in the Russian Federation) serves here as an accelerator of Westernisation, just like LGBT (also banned in the Russian Federation). That is why Russian Westernisers are so desperately opposed to the war—they fully understand that the war is against them, for the awakening of the true spirit and genuine sovereign identity of the Russian people and all the fraternal peoples of our great power.
Ukrainian Nazism is the quintessence of aggressive Westernism. Its hatred this time is directed only against the Russians (essentially, against themselves). In such Ukrainian Nazism, hatred towards other ethnicities and confessions is quite marginal. All the fury is directed at the Russians and the canonical Ukrainian Orthodox Church. This is the program of modern radical Russian Westernism. And our sixth column of ideologically liberal Westerners is precisely aligned with those against whom we are fighting. Under the guise of "peace," they strive for Russia's defeat. And any non-victory or even half-victory will be a defeat for us.
Fighting against the West, it is foolish to hope that on some issues in this war it will side with us. He won't. Not by any means.
Therefore, it is so important to defeat Westernisation within Russia itself. It distorts our worldview. Like obsession or mental disorder, it compels one to commit absurd acts and utter incoherent, logically contradictory phrases.
We must stop viewing the West as still being a model, a bearer of something universal and humanistic.
Right now, Russia vitally needs exactly westernology - a view of the West from the perspective of a confident, self-sufficient, sovereign civilisation.
www.geopolitika.ru/article/my...
Даша была замечательным человеком, перед которым лежало огромное, светлое будущее. Она была невероятно активной, очень умной, искренне и горячо верующей православной христианкой и патриоткой. И когда всё в мире стало поворачиваться в этом направлении, её убили.
Но её, может быть, не до конца реализованный потенциал реализуется сейчас иным способом. Её книги печатаются и у нас, и во всём мире, переведены на английский, испанский, итальянский языки — вышли все пять её книг, собираются новые фрагменты. Люди разыскивают её интервью, распечатывают и публикуют. Память о ней год от года не гаснет и не стирается, а растёт и насыщается новыми тонами.
Год назад, 20 августа 2025 года, в Захарово, у Пушкинского музея — месте проведения фестиваля «Традиция», после которого она была зверски убита украинскими террористами, — был открыт её великолепный памятник. В каждое время года он меняется, невероятным образом вписываясь в русскую природу, играя светом и тенями. К нему несут цветы: сюда приходят первоклассники в начале учебного года и студенты после окончания вузов. Памятник стал для многих живым местом притяжения.
А в этом году в Италии — и я очень признателен руководству одного из районов Тосканы — была открыта памятная доска в честь Даши. В итальянском городе Варезе проходил невероятный, глубокий фестиваль под названием Daria Aletheia (от греческого «истина»). Там читали её стихи и поэмы, исполняли оперную кантату, написанную итальянским композитором Анджело Инглезе. Одна актриса читала переведённый на итальянский язык труд Даши — дневник «Топи и выси моего сердца» и её заметки о путешествии по Италии.
Люди были потрясены тем, как тонко она описывала итальянскую культуру, природу, путешествие на кораблике из Рима на Сицилию. Сколько наших прекрасных, наблюдательных и культурных девушек путешествуют по миру, но Дашино путешествие стало настоящим символом. Она писала о важнейших авторах итальянской культуры, посещала дворцы — в частности, была знакома с замечательной принцессой Витторией Аллиата ди Виллафранка, владелицей волшебной виллы Вальгуарнера. Даша путешествовала по этой священной Италии и оставила об этом удивительные тексты.
У неё есть книга «Теория Европы», очень популярная сейчас и переведённая почти на все европейские языки. В ней она говорит: я бы хотела увидеть другую Европу — Европу традиции, священную, сакральную, христианскую, культурную и философскую. Я люблю её, мечтаю о ней и провижу сквозь тот ужас, который царит в современной Европе. «Эта Европа исчезает, спасите мою Европу», — говорила Даша.
Когда итальянцы читали — а актриса действительно очень профессионально читала выдержки из её дневника и книги «Топи и выси моего сердца», — люди просто плакали. Собравшиеся были потрясены этим пронзительным обращением к европейцам: «Проснитесь! Вернитесь к самим себе! Мы, русские, совершаем этот трудный путь, мы возвращаемся к нашим священным корням — сделайте и вы то же самое». Эти слова поразили их своей невероятной, пророческой глубиной.
Сейчас Даша открывается с такой стороны, которую ни мы, её родители, ни даже её друзья раньше до конца не знали. Когда живешь рядом, повседневные бытовые детали часто заслоняют самое главное. А теперь это главное начинает проступать. Многие называют её Дарьей Мыслительницей. Её памятник в Захарово держит в руках книгу, и люди, приходя туда, гадают: что это за книга? Платон? Или её будущий труд? Ведь большинство её книг мы издали только после её трагической, мученической кончины. Эта книга в её руках — как символ еще не написанного труда, который еще только предстоит создать.
Даша превратилась в символ будущего, символ духовного суверенитета, в знамение нашей настоящей русской, интеллектуальной, духовной, православной и патриотической молодежи. Она стала их ориентиром.
www.geopolitika.ru/article/my...
«Dasha era uma pessoa notável com um futuro vasto e brilhante pela frente. Ela era incrivelmente activa, muito inteligente, sinceramente e fervorosamente uma cristã ortodoxa crente e uma patriota. E quando tudo no mundo começou a voltar-se nessa direção, ela foi morta.
Mas o seu potencial, talvez não totalmente realizado, agora está a ser realizado de uma maneira diferente. Os seus livros estão a ser publicados tanto aqui quanto ao redor do mundo, traduzidos para o inglês, espanhol e italiano — todos os cinco livros dela foram lançados, e novos fragmentos estão sendo reunidos. As pessoas estão à procura das suas entrevistas, imprimindo-as e publicando-as. A sua memória não se desvanece nem diminui ano após ano, mas sim cresce e enriquece-se com novos tons.
Há um ano, em 20 de agosto de 2025, em Zakharovo, no Museu Pushkin—local do festival "Tradição", após o qual ela foi brutalmente assassinada por terroristas ucranianos — o seu magnífico monumento foi inaugurado. Em cada estação, ele muda, inserindo-se de maneira incrível na paisagem russa, brincando com luz e sombras. As pessoas trazem flores: os alunos do primeiro ano vêm aqui no início do ano lectivo, e os estudantes vêm aqui após se formarem nas universidades. O monumento tornou-se um lugar vivo de atração para muitos.
E este ano, na Itália — e sou muito grato à administração de um dos distritos da Toscana — foi inaugurada uma placa memorial em homenagem a Dasha. Na cidade italiana de Varese, foi realizado um incrível e profundo festival chamado Daria Aletheia (do grego "verdade"). Lá, seus poemas e versos foram lidos, e uma cantata de ópera composta pelo compositor italiano Angelo Inglese foi apresentada. Uma atriz leu a tradução italiana da obra de Dasha—o diário Os Picos e Alturas do Meu Coração e as suas notas sobre viajar pela Itália.
As pessoas ficaram maravilhadas com a forma subtil como ela descreveu a cultura italiana, a natureza e a viagem de barco de Roma à Sicília. Quantas das nossas maravilhosas, observadoras e cultas jovens viajam pelo mundo, mas a jornada de Dasha tornou-se um verdadeiro símbolo. Ela escreveu sobre os autores mais importantes da cultura italiana, visitou palácios—especificamente, conheceu a notável Princesa Vittoria Alliata di Villafranca, a proprietária da mágica Villa Valguarnera. Dasha viajou por esta Itália sagrada e deixou textos incríveis sobre ela.
Ela tem um livro chamado Teoria da Europa, que é muito popular agora e foi traduzido para quase todas as línguas europeias. Nele, ela diz: Eu gostaria de ver uma Europa diferente—uma Europa de tradição, sagrada, sacral, cristã, cultural e filosófica. Eu a amo, sonho com ela e vejo através do horror que reina na Europa moderna. "Esta Europa está desaparecendo, salve a minha Europa," disse Dasha.
Quando os italianos estavam lendo — e a atriz realmente leu trechos de seu diário e do livro "Os Picos e Alturas do Meu Coração" de forma muito profissional — as pessoas estavam simplesmente chorando. Os presentes ficaram emocionados com este comovente apelo aos europeus: "Acordem! Voltem a si mesmos! Nós, os russos, estamos trilhando este caminho difícil, estamos voltando às nossas raízes sagradas—façam o mesmo. Essas palavras os atingiram com sua incrível profundidade profética.
Agora Dasha está revelando um lado de si mesma que nem nós, seus pais, nem mesmo seus amigos conheciam completamente antes. Quando as pessoas moram próximas, os detalhes mundanos do dia a dia muitas vezes ofuscam as coisas mais importantes. E agora esse núcleo principal está começar a emergir. Muitos a chamam de Darya, a Pensadora. No seu monumento em Zakharovo segura um livro nas mãos, e as pessoas, quando vão lá, perguntam: que livro é esse? Platão? Ou sua obra futura? Afinal, publicamos a maioria de seus livros apenas após sua trágica morte, digna de uma mártir. Este livro nas suas mãos é como um símbolo da obra ainda não escrita que ainda precisa ser criada.
Dasha tornou-se um símbolo do futuro, um símbolo de soberania espiritual, uma bandeira para a nossa verdadeira juventude russa, intelectual, espiritual, ortodoxa e patriótica. Ela tornou-se a luz guia dela.»
«Dasha was a remarkable person with a vast, bright future ahead of her. She was incredibly active, very intelligent, sincerely and fervently a believing Orthodox Christian and a patriot. And when everything in the world started to turn in that direction, she was killed.
But her perhaps not fully realised potential is now being realised in a different way. Her books are being published both here and around the world, translated into English, Spanish, and Italian — all five of her books have been released, and new fragments are being collected. People are searching for her interviews, printing them out, and publishing them. Her memory does not fade or diminish year by year, but rather grows and is enriched with new tones.
A year ago, on August 20, 2025, in Zakharovo, at the Pushkin Museum—the site of the "Tradition" festival, after which she was brutally murdered by Ukrainian terrorists—her magnificent monument was unveiled. In every season, it changes, fitting into the Russian landscape in an incredible way, playing with light and shadows. People bring flowers to it: first-graders come here at the beginning of the school year, and students come here after graduating from universities. The monument has become a living place of attraction for many.
And this year in Italy — and I am very grateful to the administration of one of the districts of Tuscany — a memorial plaque was unveiled in honour of Dasha. In the Italian city of Varese, an incredible, profound festival called Daria Aletheia (from the Greek "truth") was held. There, her poems and verses were read, and an opera cantata composed by the Italian composer Angelo Inglese was performed. One actress read the Italian translation of Dasha's work—the diary "The Peaks and Heights of My Heart" and her notes on travelling through Italy.
People were amazed at how subtly she described Italian culture, nature, and the journey by boat from Rome to Sicily. How many of our wonderful, observant, and cultured girls travel the world, but Dasha's journey became a true symbol. She wrote about the most important authors of Italian culture, visited palaces—specifically, she was acquainted with the remarkable Princess Vittoria Alliata di Villafranca, the owner of the magical Villa Valguarnera. Dasha travelled through this sacred Italy and left behind amazing texts about it.
She has a book called "Theory of Europe," which is very popular now and has been translated into almost all European languages. In it, she says: I would like to see a different Europe—a Europe of tradition, sacred, sacral, Christian, cultural, and philosophical. I love it, dream of it, and see through the horror that reigns in modern Europe. "This Europe is disappearing, save my Europe," Dasha said.
When the Italians were reading — and the actress really read excerpts from her diary and the book "The Peaks and Heights of My Heart" very professionally — people were simply crying. The attendees were moved by this poignant address to Europeans: "Wake up! Return to yourselves! We, the Russians, are taking this difficult path, we are returning to our sacred roots—do the same. These words struck them with their incredible, prophetic depth.
Now Dasha is revealing a side of herself that neither we, her parents, nor even her friends fully knew before. When you live close by, everyday mundane details often overshadow the most important things. And now this main thing is starting to emerge. Many call her Darya the Thinker. Her monument in Zakharovo holds a book in its hands, and people, when they come there, wonder: what book is it? Plato? Or her future work? After all, we published most of her books only after her tragic, martyr-like death. This book in her hands is like a symbol of the yet unwritten work that is still to be created.
Dasha has become a symbol of the future, a symbol of spiritual sovereignty, a banner for our true Russian, intellectual, spiritual, Orthodox, and patriotic youth. She became their guiding light.
www.geopolitika.ru/article/my...
Dasha was a remarkable person with a vast, bright future ahead of her. She was incredibly active, very intelligent, sincerely and fervently a believing Orthodox Christian and a patriot. And when everything in the world started to turn in that direction, she was killed.
But her perhaps not fully realised potential is now being realised in a different way. Her books are being published both here and around the world, translated into English, Spanish, and Italian — all five of her books have been released, and new fragments are being collected. People are searching for her interviews, printing them out, and publishing them. Her memory does not fade or diminish year by year, but rather grows and is enriched with new tones.
A year ago, on August 20, 2025, in Zakharovo, at the Pushkin Museum—the site of the "Tradition" festival, after which she was brutally murdered by Ukrainian terrorists—her magnificent monument was unveiled. In every season, it changes, fitting into the Russian landscape in an incredible way, playing with light and shadows. People bring flowers to it: first-graders come here at the beginning of the school year, and students come here after graduating from universities. The monument has become a living place of attraction for many.
And this year in Italy — and I am very grateful to the administration of one of the districts of Tuscany — a memorial plaque was unveiled in honour of Dasha. In the Italian city of Varese, an incredible, profound festival called Daria Aletheia (from the Greek "truth") was held. There, her poems and verses were read, and an opera cantata composed by the Italian composer Angelo Inglese was performed. One actress read the Italian translation of Dasha's work—the diary "The Peaks and Heights of My Heart" and her notes on travelling through Italy.
People were amazed at how subtly she described Italian culture, nature, and the journey by boat from Rome to Sicily. How many of our wonderful, observant, and cultured girls travel the world, but Dasha's journey became a true symbol. She wrote about the most important authors of Italian culture, visited palaces—specifically, she was acquainted with the remarkable Princess Vittoria Alliata di Villafranca, the owner of the magical Villa Valguarnera. Dasha travelled through this sacred Italy and left behind amazing texts about it.
She has a book called "Theory of Europe," which is very popular now and has been translated into almost all European languages. In it, she says: I would like to see a different Europe—a Europe of tradition, sacred, sacral, Christian, cultural, and philosophical. I love it, dream of it, and see through the horror that reigns in modern Europe. "This Europe is disappearing, save my Europe," Dasha said.
When the Italians were reading — and the actress really read excerpts from her diary and the book "The Peaks and Heights of My Heart" very professionally — people were simply crying. The attendees were moved by this poignant address to Europeans: "Wake up! Return to yourselves! We, the Russians, are taking this difficult path, we are returning to our sacred roots—do the same. These words struck them with their incredible, prophetic depth.
Now Dasha is revealing a side of herself that neither we, her parents, nor even her friends fully knew before. When you live close by, everyday mundane details often overshadow the most important things. And now this main thing is starting to emerge. Many call her Darya the Thinker. Her monument in Zakharovo holds a book in its hands, and people, when they come there, wonder: what book is it? Plato? Or her future work? After all, we published most of her books only after her tragic, martyr-like death. This book in her hands is like a symbol of the yet unwritten work that is still to be created.
Dasha has become a symbol of the future, a symbol of spiritual sovereignty, a banner for our true Russian, intellectual, spiritual, Orthodox, and patriotic youth. She became their guiding light.»
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